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TTArtisan’s Debut Camera

TTArtisan just dropped a surprise at CP+ this week with the launch of the 203T, a retro-inspired folding instant film camera. The company is mostly known for making lenses, but now it's dipping its toes into cameras with this fully mechanical, battery-free instant shooter that works with Instax Mini film.

The 203T has a classic folding design and comes in four colors—black, red, orange, and blue. It features a Cooke triplet lens, an old-school design from 1893 that gives photos a distinct vintage look. The lens has an aperture range from f/3.5 to f/22, with shutter speeds from one second to 1/300s. It even has a bulb mode for long-exposure shots.

If you're into classic optics, the choice of a Cooke lens is pretty interesting. It was originally designed by Harold Dennis Taylor to fix five major optical issues—things like distortion and blurriness at the edges—using just three glass elements. Since then, it's been used in everything from cameras to binoculars and telescopes.

The 203T’s design feels like a throwback to the Seagull 203, a folding rangefinder camera from the 1960s. TTArtisan seems to be channeling that classic vibe while making it compatible with modern instant film, which should appeal to analog photography lovers.

No word on pricing yet, but TTArtisan says the 203T is set to launch this fall.

Image credits: TTArtisan

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Interview with Krzysztof Kowal

This week’s Interview with the amazing Krzysztof, one of my all time favourite photographers. The way he captures light is immaculate.

You can find him on Instagram as: @qs.street

Enjoy the amazing Interview ;)

Can you tell us a bit about yourself?

Hi, my name is Krzysztof. I was born and still live in Poland, where I share my life with my wonderful wife, Ania, and our three children. One of our greatest passions as a family is traveling, especially through the southern parts of Europe. There’s something magical about the culture, architecture, and warmth of these regions that keeps calling us back. My absolute favorite place on earth is the southern part of Italy—everything about it, from the people to the landscapes, speaks to my soul.

Oh, and one thing to know about me—I do not like winter. At all.

How did your photography journey begin?

I’ve been fascinated by photography for as long as I can remember. It wasn’t a sudden revelation or a specific moment. In the beginning, I experimented a lot, trying different styles and techniques, but it took me a while to really understand what I was drawn to. I kept refining my approach until I matured in my craft and found my true path—street photography.

How do you develop your own unique style as a photographer, and what sets your work apart from others?

In the beginning, we often take inspiration from other artists, studying their work, imitating their techniques, and slowly developing our own preferences. Over time, however we start seeing the world through our own unique lens. If even one person looks at my work and recognises it as uniquely mine, that in itself is a success. I believe that the true judgment of my work lies with the viewers—art is always a dialogue, and I leave it to others to interpret what they see in my images.

How do you approach lighting in your photography, and what techniques do you find most effective?

Light is everything in photography—it’s what gives depth, emotion, and structure to an image. I don't force light into a composition; I work with it. Whether it's the golden glow of sunset, the harsh contrast of midday, or the neon reflections of a city at night, I adapt my approach to what the scene offers me. Instead of fighting difficult lighting conditions, I embrace them and use them to tell a story. The key is learning to observe—watching how light moves, how it interacts with surfaces, and how it changes throughout the day.

What do you think makes a photograph successful, and how do you measure the success of your own work?

Each image must be approached individually because every moment, every scene, is unique. The "rules" of photography can help guide you, but true creativity comes from knowing when to break them. As for measuring success in my own work—honestly, I feel like I’m still on that journey. Every new photo teaches me something. I don’t see success as a final destination but rather as an ongoing process of learning, improving, and refining my craft.

What has been your most rewarding experience as a photographer, and why?

The greatest reward photography has given me is the ability to step into another world. The moment I pick up my camera and start walking through the streets, something changes—I become an observer, a storyteller. It’s like stepping into a different version of myself. When I’m shooting, I lose track of time. I stop thinking about everyday things, and all that matters is what’s in front of me.

What gear do you use?

I keep my setup relatively simple, Sony A7 III , Tamron 70-180mm f/2.8 , Sony 85mm f/1.8, Sigma 16mm f/1.4.

What is your favorite editing software, and how much time do you spend editing?

I only use Photoshop for editing, which makes it my go-to tool for everything. Some photographers prefer Lightroom, but for me, Photoshop offers the level of control I need. Editing time varies depending on the complexity of the image—some take 45 minutes, others can take up to two hours or more. I don’t rush the process. I give each image the time it deserves.

What are your favourite locations to shoot, and what makes them special?

Naples, Italy. Without a doubt. Naples is raw, chaotic, and full of life—it’s a city that breathes art. There’s something so beautifully unfiltered about it, from the narrow streets lined with laundry to the energy of its markets. As Goethe famously said, "See Naples and then die." It’s a city that stays with you forever.

Do you have a favourite time of day to shoot?

Early morning or late afternoon—golden hour. The light is softer, shadows are longer, and everything just feels more cinematic.

What is one misconception people have about photography?

That it's all about having the best camera. Many people think upgrading their gear will make them a better photographer, but in reality, it’s how you see the world that matters. A great photographer can create a masterpiece with the simplest setup, while an expensive setup means absolutely nothing without vision & experience!

Any advice for beginners?

The rest, 3 more questions, of this Interview are for Premium subscribers only.

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Lomo’s Daylight Developing Tank

Lomography just launched a compact and easy-to-use development tank for 35mm film at CP+ in Yokohama, Japan. The Lomo Daylight Developing Tank 35mm lets analog photographers develop their film anywhere—no darkroom, no changing bag, just a simple, all-in-one system.

The tank is designed to work in broad daylight, thanks to its light-tight construction. It comes with everything you need to get started: a 35mm developing tank and reel, a built-in film cutter, a loading crank, and a film retriever. Lomography says it’s beginner-friendly—just load the film using the crank (which takes about a minute), then process it however you like. The tank supports both agitation and inversion development with the help of a metal buckle.

For those who love to experiment, Lomography encourages trying out different film soups, push/pull processing, and other creative techniques. “Don’t be scared to film soup!” the company says. “No more labs saying no—you can easily develop your film soups at home and rinse everything after use.”

While the tank includes all the essentials, you’ll still need a few extras, like development chemicals, water, measuring containers, a timer, and safe chemical storage bottles. And keep in mind, this tank is strictly for 35mm film—medium-format shooters will have to look elsewhere.

The Lomo Daylight Developing Tank 35mm is available now for $79, making home film development more accessible and convenient than ever.

Image credits: Lomography

Photo Analysis

Welcome to the new part of the Magazine Issue where we take a closer look at a photo and analyse it so that you can learn and better your own photography from it ;)

Photo by: @marc.hennige

Let’s Analyse this Image

Composition

What works well:

• The leaves at the top frame the scene beautifully and guide the viewer’s eye toward the church.

• The church is placed slightly off-center which keeps the composition interesting.

• The layers—foreground (leaves), middle ground (island and church), and background (mountains)—create depth and make the scene feel more immersive which is executed very well here.

• The reflection in the water adds symmetry and balance. It makes the image feel calm and peaceful - perfect for landscape photography.

What could be better:

• The leaves at the top, while effective, take up a bit too much space and could be slightly less dominant to avoid distracting from the main subject.

• The bottom part of the image feels slightly heavy, with a lot of dark tones in the water. A bit more breathing room in the sky could balance things out. However that being said the leaves then again add a bit of weight back to the top, however its to note that its not in the correct layer so it doesn’t actually really help that much when you really look into it.

Lighting

What works well:

• The warm, golden light adds a beautiful glow and absolutely enhances the depth of the scene.

• The exposure is well-handled—highlights on the church and mountains aren’t blown out (well the mountains maybe slightly however that could also just be a bit of dusk/mist in the air), and the overall contrast is strong.

What could be better:

• Some of the shadow areas, especially in the trees and water, lose a bit of detail. Lifting the shadows slightly could help.

• The light is strong and warm, but it might be a bit too intense in some spots.

Color and Mood

What works well:

• The warm autumn tones contrast very nicely with the cooler blues of the water and sky, making the photo feel rich and alive.

• The colour balance feels natural overall, with the warm sunlight enhancing the reds, oranges, and browns of the season.

• The scene has a nice dreamy, fairy-tale quality thanks to the amazing light (and also scenery)

What could be better:

• Some areas, especially the golden leaves, feel slightly oversaturated. Dialing them back a little could make the image look even more natural.

• The deep blues in the water are nice, but they could be softened slightly to blend more smoothly with the warm tones.

Story and Emotion

What works well:

• The image definitely captures a peaceful, magical, fairy tale moment (and im all about that). It feels like a place you'd want to visit and experience in person.

• The contrast between nature and human-made structures gives the scene an interesting balance also.

What could be better:

• The photo has a strong aesthetic, but it doesn’t necessarily tell a specific story. A human element—like a small boat in the water or a person standing somewhere—could add a sense of life and movement.

• The framing is almost too ‘‘perfect’’, so it feels a little predictable. A more unique angle or a different focal length could make that scene stand out even more.

Photography Tip of the Week

The weekly photography tip is only accessible to Premium Subscribers of The Magazine For Photographers.

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Photographer of the Week

Photographer of the week goes to: Jonathan Varjabedian

You can find him on Instagram as: @framethestreetsdotcom

A few of his images:

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Viltrox is Not Slowing Down

Viltrox showed up at CP+ in Yokohama with some exciting new gear, dropping four fresh lenses and a sleek battery charging case. Instead of the usual press release, they took to Instagram, sharing booth photos and teasing their latest products. Details are still pretty light, but we can piece together a good idea of what’s coming based on what we’ve seen so far.

First up is the Viltrox AF 35mm f/1.2 LAB FE. The LAB series is Viltrox’s high-performance lineup, promising top-notch optical quality. With an ultra-fast f/1.2 aperture, this could be a solid choice for photographers looking for bright, high-quality glass that won’t drain their bank accounts. If the AF 135mm f/1.8 LAB FE is anything to go by—an E-mount lens that seriously outperforms its price tag—this new 35mm could be another winner. Speaking of the 135mm, Viltrox also confirmed it’s bringing that lens to Nikon Z-mount, giving Nikon shooters an alternative to the excellent but pricey Z 135mm f/1.8 S Plena.

Next up is the Viltrox AF 50mm f/2 FE/Z. This one’s a standard prime lens for Sony E-mount and Nikon Z-mount, and since it doesn’t have a fancy moniker, it’s likely a more straightforward, no-frills addition to the lineup. Same goes for the AF 85mm f/1.4 Pro FE. Unlike the top-tier LAB series, the Pro series is more about practicality—weather-sealed, autofocus that works well for video, and solid overall performance, just without the absolute best optical quality.

Beyond lenses, Viltrox also rolled out a new Dual-Bay Battery Charging Case for Sony, Nikon, Canon, and Fujifilm cameras. Honestly, this thing looks more like an Apple gadget than a typical camera accessory—sleek, compact, and super practical. It can charge 2320mAh batteries from empty to full in about two hours and has a front-facing display to track battery levels. Plus, it supports a ton of different charging protocols, including PD3.0, QC, Samsung AFC, Huawei FCP, and Apple 2.4A, so it plays nice with a variety of devices.

While we’re still waiting on pricing and release dates for the new lenses, the Viltrox Dual-Bay Battery Charging Case is already available for $69.99.

Image credits: Viltrox

The Rest of this Issue is for Premium Subscribers

The Premium Version of this Magazine is now on a ‘‘Pay What you Want’’ model. Meaning you get to decide the price.