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The iPhone will replace your Camera; A Leica for $23,000?; A brand new Interview. All this and more in this new and amazing Magazine Issue ;)
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In this Week's Issue
Limited Edition Leica M 70 for $23,000
Leica is celebrating a big milestone: 70 years of its legendary M series, with a super-exclusive limited edition film camera, the Leica M Edition 70. The M series has been a staple for photographers since the M3 first launched back in 1954, with its simple rangefinder design and pure mechanical build that made it perfect for street photography and journalism. So, for this anniversary, Leica went all out with a collectorâs piece thatâs as much a tribute as it is a serious camera.
Only 250 of these beauties are being made, each numbered and finished with a platinum-plated shellâa nod to the âplatinumâ symbol for a 70th anniversary. The M Edition 70 is designed with a mix of classic M3 style and elements from the M-A model, which gives it this timeless, almost retro vibe. Leicaâs keeping it classy and minimal, just as fans would expect.
To make this edition even more special, Leica paired it with a platinum version of the Leica APO-Summicron-M 50mm f/2 ASPH lensâa lens that many photographers consider one of the best 50mm options out there. The whole package is 100% analog, with no screen, just a straightforward ISO selector dial on the back. Plus, it comes with a Leicavit M fast winder for quick shotsâperfect for capturing life on the go without a bunch of extra tech. They even threw in a collectorâs edition platinum film canister loaded with monochrome film, adding to the nostalgia factor.
Of course, something this exclusive comes with a price tag to match: the whole set will cost $22,995 and will be available in 2025 at select Leica stores. It's a high-end piece, but for those who live for that Leica magic, it might be worth every penny.
Image Credits: Leica
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Interview with Peter Zwolinski
This weeks Interview with the amazing Peter Zwolinski, a well known street photographer from New York.
He has a very interesting personality that resonates within his images and editing style, which I really like.
You can find Peter on his instagram as @__heavyp
It was a great pleasure interviewing him, enjoy ;)
Can you introduce yourself to my readers?
Hey Hi Hello! My name is Peter Zwolinski but people call me Heavy P.
How did you get into photography?
As a kid, I was never really into sports. I borrowed my dads camera one day and it clicked from there. Anytime he bought a new one, I would get the hand me down. We would go on trips around our town. We would shoot at local parks. Eventually started to shoot car shows at the beach. Which later on would turn into shooting street photography.
How do you deal with unexpected challenges that arise during a photoshoot, such as weather conditions or changes in the location?
I primarily love to shoot in the rain and snow. As much as they advertise these new cameras with weatherproofing, I do not believe at all. My hot shoe mount is almost always taped up, and I always have garbage bags taped around my lens hoods sitting in my backpack. I donât care how silly it looks, I wonât risk paying to get my camera fixed.
Can you talk about the role that composition plays in your photography, and how do you approach creating visually impactful images?
It sort of all clicks. I primarily go out with one lens and try to think in the nature of that lens. I try to keep all the rules floating around in my head( rule of odds, rule of thirds, golden spiral, etc) I had a professor once tell me âonce you prove you know all the rules, thatâs when you can break emâ which stuck with me forever. You can use those rules as a guideline but then go experiment. If it doesnât work, fall back onto what always will work.
What are your favourite locations to shoot, and what makes them special?
Inspired by movies like French Connection, Joker, Taxi Driver or Bladerunner I am always looking for gritty, industrial scenes. When it comes to cities New York is my favourite location to shoot. But Chicago and London are great too. Just to name a few.
Do you plan your shoots or just go with the flow?
Itâs 50/50 for me. There are days with zero plan. I will flip a coin a lot of the time on which lens to take, which body, what area. But during those planless shoots, I shoot a ton, go home, and Iâll find a pattern. For example I will have five shots of people smoking, or five shots of primary colors. Iâll take those shots, put them into a âseriesâ folder of their own. Then next time I go out, Iâll have this list in my head âokay, grab shots of smokers, primary colors, dogs, etcâ. Having that list in your head makes going out turn into a challenge which makes a hell of a lot fun. Love this idea of collecting in the streets.
What role does lighting play in your photos?
Lighting is one of the main components to photography. Having good light is what makes the shot. At night, I feel like Iâm on the hunt for a nicely lit spot. Someone gets nicely lit up while going into the darkness. Day time is new(ish) for me. In nyc, I try to find light bouncing off of buildings. Then I sit and camp while the right subject walks by.
What is your editing software of choice and have you got any editing tips?
I use a mix of Lightroom and photoshop. My advice for people editing is to hop on YouTube and watch how people color grade their work. Even their own street work. People think âoh Iâm stealing his lookâ but essentially youâll never achieve what that person does and vice versa. You might watch a video and go âwow never thought to do that to my shotâ and now a huge door opened up of new possibilities.
What keeps you motivated?
Strong coffee and good music! Whenever I go for a session on the streets, as Iâm shooting, 75% of the time I snag the one âbangerâ shot and my adrenaline kicks in. I get so amped over that shot that I just go manic and the gears click. Then itâs smooth sailing from there. Usually, that banger shot becomes my least favourite afterwards.
How do you develop your own unique style as a photographer, and what sets your work apart from others?
Whether it comes to movies, music, or art I always lean to the darker, melancholic, and deeper stuff. So, when I started to develop my own style, it drove automatically in that same direction. That´s why most of images take place in darkor moody conditions. Inspired by movies from the gritty New York in the 80s and the work from other neo noir inspired street photographers my style evolved further towards that direction. I think, what my work sets apart from at least many others is, that most of my scenes include only a single person in a big city environment. Opposite to others, the person is mostly no recognizable and appears as either a silhouette or very small. Solitude became somewhat my trademark. Also, I pay a lot attention to details and composition.
Any tips for beginners?
One professor once told me âfind a photographer you love, try to copy him as hard as you can and you will fail. That failure is now your style and now hone it.â To this day I still do that. I see one persons work, Iâll go out and try to copy what theyâve done but cant achieve that. Doesnât mean itâs a bad shot, itâs now unique and to my own. Itâs what being inspired is all about. You look at how Robert Frank composed photos, you take his ideas and morph then into your own shots. Doesnât mean youâre copying Robert Frank. Just seeing what he saw and applying it to your own.
Can you talk about a time when you had to push yourself out of your comfort zone to capture a shot or work on a project?
The rest, 5 more questions, of this Interview are for Premium subscribers only.
AI-Powered Photo Editor ON1 is Now Available
ON1 Photo RAW 2025 has officially launched, bringing a range of new AI-powered features to the table for photographers who want robust, integrated editing tools. The software was first previewed in September and promises a serious overhaul, especially for those who appreciate streamlined workflows with advanced automation.
Hereâs a quick breakdown of some of the major upgrades:
Generative AI Tools: ON1 Photo RAW 2025 introduces generative AI capabilities, including content-aware fill and Generative Erase, which help photographers seamlessly add or remove objects in their images without compromising realism.
Depth Masks: This new tool enables photographers to isolate and edit parts of a scene based on object depth, a handy feature for adjusting the lighting or focus of foreground elements without affecting the background.
AI-Powered Imports: Even the import process is now AI-assisted, automatically detecting and removing sensor dust or distracting power lines from photos.
Gen Erase before
Gen erase after
For photographers looking for an Adobe Lightroom alternative, ON1 Photo RAW 2025 also steps up its color editing game. New tools allow for finer control over color adjustments, like hue, saturation, and brightness, and thereâs a Match Color feature that lets you apply color settings across different images.
Looking forward, ON1 has promised future updates with tools like âSuper Select AIâ for precise object selection, Generative Replace, and a Face Restoration tool. The new Edit Camera Profile menu allows photographers to set RAW color adjustments by default, so they can manage tones like greens and reds more effectively depending on the scene.
ON1 Photo RAW 2025 is available as a one-time purchase or subscription. For a standalone license, new users can expect to pay $99.99, with upgrades at $79.99. The MAX edition costs $169.99 for new users, and ON1 Everything subscription plans start at $7.50 per month. More details on the options can be found on ON1âs website.
The iPhone might Replace your Camera soon, no seriously
shot on iPhone 16 Pro
Appleâs iPhone 16 series brings an upgrade to mobile photography with its new Photographic Styles, a custom editing system right within the camera. Unlike traditional filters that apply a uniform look, these styles adjust tones and colors in real time and with precision, thanks to the powerful A18 and A18 Pro chips. This processing power allows for non-destructive edits that can be tweaked later, enhancing images without locking in one specific look.
Photographic Styles use computational photography to apply intelligent adjustments across an image, like boosting shadows or refining skin tones, without losing quality. According to Jeremy Hendricks, iPhone Product Manager, Apple has been building up to this level of camera intelligence for years, allowing users to personalize photos in ways that feel natural and authentic.
shot on iPhone 16 Pro
A focus on skin tones was central to the design, with Chief Aesthetics Scientist Pamela Chen explaining that Apple studied 200 years of photography to better understand what people like in portraits. The iPhone 16 now offers six customizable undertone styles, allowing users to choose how they want to appear in photos based on mood, lighting, or personal preference.
shot on iPhone 16 Pro
Apple also incorporated elements from photographyâs past, building nine distinct âMoodâ Photographic Styles, like Luminous and Cozy, each inspired by different eras in photographic history. For instance, Luminous offers a dreamy, soft color palette reminiscent of early digital photographyâs pastel hues.
shot on iPhone 16 Pro
Photographic Styles provide flexibility for photographers of all levels, from intuitive controls for casual users to detailed customization for pros. Apple has restructured its image-processing pipeline to make styles easily adjustable without storage demands or loss of quality. By balancing user control with accuracy, Appleâs Photographic Styles are set to be a defining feature for iPhone photographers, allowing anyone to capture and personalize their shots effortlessly.
Image Credits: Apple
The Best Instant Camera?
Lomography has just introduced the LomoâInstant Wide Glass, claiming itâs âthe best instant camera on Earth.â This model stands out with its 90mm multi-coated glass lens, designed to capture sharper, more vibrant prints on Fujifilm Instax Wide film than any other camera in its class. Lomography highlights its close focusing distance of just 0.3 meters (0.98 feet), allowing users to capture fine details with ease, making it ideal for portrait or fashion photography.
The cameraâs setup includes an automatic aperture with two f-stops, f/8 and f/22, and a versatile shutter speed range from eight seconds to 1/250s. Additionally, it offers a bulb mode, a fixed 1/30s setting, and supports unlimited multiple exposures, all complemented by a built-in flash. The LomoâInstant Wide Glass is also compatible with Lomographyâs Splitzer attachment and 52mm filters for added creative options.
With its glass lens and zone focusing (including settings from 0.3 meters up to infinity), this camera aims to maximize sharpness and detail in every shot. According to Ben Fraternale from In An Instant, this focusing ability allows photographers to frame subjects edge-to-edge, enhancing clarity in the sharp Instax format. For added functionality, the camera is powered by four AA batteries and includes a remote control cleverly built into the lens cap, powered by a single CR2025 battery. It also supports external flash through a PC-sync socket, making it more adaptable to studio settings.
Pricing is $279.
A few sample Images:
Photography Tip of the Week
The weekly photography tip is only accessible to Premium Subscribers of The Magazine For Photographers.
Photographer of the Week
Photographer of the week goes to: Huzeyfe Tomurcuk
His Instagram: @photomurcuk
Congratulations on your luck:)
A photo of his:
Donât forget to check the advertisement up top ;) âŹď¸
The Laowa Ranger 16-30mm T2.9 Cine Zoom
The Laowa Ranger 16-30mm T2.9 cine zoom lens rounds out the Ranger series, joining the 28-75mm and 75-180mm T2.9 lenses that launched last year. This new addition completes Laowa's compact full-frame cine zoom lineup, each maintaining a consistent T2.9 aperture and parfocal optics.
The 16-30mm T2.9, now available for order, is impressively compact at just 800 grams (under 2 pounds), making it one of the lightest in its category. While itâs about half the size of the 28-75mm and 75-180mm, the smaller build may require minor adjustments to follow-focus setups. Other key features include an 11-blade aperture for smooth background blur, close minimum focusing distance, and marked focus scales in both feet and meters.
The lens is available in a standard version at $3,000 or a "Lite" version (made from magnesium alloy) for $3,500. Both include a PL mount with an interchangeable EF mount, and Laowa offers additional mirrorless mounts (Canon RF, Sony E, Nikon Z, Leica L) for $100 each. For users looking for more flexibility, thereâs also a PL-to-mirrorless adapter with a drop-in filter slot, priced at $440.
Image Credits: Venus Optics