đ¸ The Magazine For Photographers
Welcome to a brand new Issue of my Magazine. Another amazing one, enjoy the read :)
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In this Week's Issue
The Lomomatic 110 Analog Camera
Lomography has introduced the new Lomomatic 110 Bellagio edition, a standout among their latest line of analog cameras. With its sleek black-and-gold design and brass construction, this camera is as much a fashion statement as it is a photography tool. The Bellagio even comes with a gold chain wrist strap, adding an extra touch of elegance.
While the exterior shines, the camera's internals are consistent with other Lomomatic 110 models. It uses 110-format film, comes equipped with a 23mm f/2.8 lens with zone focusing, and offers automatic exposure settings for ISO 100, 200, and 400. If youâre wondering about the 110 film, Lomography is actually responsible for bringing it back in 2012 after it had fallen out of use. Theyâre now the only company producing it, with a range that includes both colorful and black-and-white options, such as the recently released Lomochrome Color â92.
Despite its compact size, Lomography touts the Bellagio as a powerful companion for both beginners and experienced analog photographers. The company says the camera offers a nostalgic experience for those who miss the 110 film era while still serving as a sharp, reliable option today.
When it comes to price, the basic Lomomatic 110 models are affordable, starting at $99 for the body and $119 with a flash. However, the Bellagio edition, due to its premium brass materials, is priced higher at $189 and is only available as a bundle with the flash. 110 film for the camera starts at $8.90 per roll.
A few sample Images:
Image credits: lomomatic
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Interview with Carlo Cafferini
This weeks interview with Carlo Cafferini, an amazing photographer from Pisa, Italy.
I only recently got to know his art and his page, but I immediately fell in love with it. I love his passion for photography, as well as his recognisable style.
You can find him on Instagram as @carlocafferini
Enjoy this truly amazing interview. It is my personal favourite so far, it really is that good.
Can you tell us a bit about yourself?
I'm Carlo, 39 years old from Piacenza, northern Italy, but I live in Pisa, the city of the famous leaning tower, since 2010. I'm passionate about photography (of course!) and architecture, especially contemporary one, although I never did architectural studies. My works, projects, publications and awards can be seen in my homepage: www.carlocafferini.com
How did you get into photography?
I started taking photos in my teen years, during family travels around France, Spain and Portugal. My uncles are both skilled and passionate photographers, so I easily fell in love with photography. In the beginning I had a rickety film camera, then moved to digital reflex in 2010.
How do you define street photography in your own terms?
I would say 'face to face with the unexpected'. It's a wide photographic genre that despite its narrow definition can be practised wherever you want, with a huge variety of subjects, sometimes playing also with the absence of it. It allows me to show my personal vision of the world and what I have around, a constantly changing vision, depending on what is happening in front of my eyes, the subjects involved in the situation or even just depending on my mood and what I feel that day. The last point is decisive: the same situation seen by the eyes of two photographers will lead, perhaps, to completely different images, because each photographer interprets reality and situations in his own way and style.
How do you capture emotion in your photos?
What I usually try to do is to present reality (aside from the photographic genre) in a moody way. Talking about mood means to me to look for particular weather conditions or a particular light that can convey feelings or transmit certain sensations. I love, for example, the early mornings in the park, when the first sun rays filter through the branches of the trees, the surreal and dreamy mood of a foggy day, the alluring charm of a storm on the sea, the human struggle under a heavy rainfall...Minimalism is also important to me: a lonely human figure or silhouette, a solitary tree, a colored umbrella in a gloomy day...the less the better. This way I think emotions are conveyed more directly.
What backup systems do you have in place in case of equipment failure during a shoot?
I admit that I'm not so prepared in case of accidents. I often find myself in âuncomfortableâ weather situations while shooting, during rainfalls or seastorms. I already damaged my previous camera, due to a big wave and salt water seepage. The only thing I can do is cover my camera the best possible and pray that the tropicalization works well :)
Regarding the eventual loss of photos, due to a malfunctioning of the SD memory card, I have never experienced it since now, but my camera allows the use of a second slot for a CFexpress card, as backup during the shooting. This type of card can be really expensive and since I essentially shoot out of passion, I haven't worried too much about it yet.
How do you approach photographing strangers in public spacesâdo you ask permission or shoot discreetly?
I'm a discreet person, some would say shy, so it's very difficult that I approach directly a stranger. I avoid taking photos where people are clearly recognisable and I often shoot with a telephoto lens at great distance. When instead I shoot with a great angle lens, I like to play with shadows, hats, hoods, umbrellas, all that can be useful to hide the identity of a person. I prefer to act this way also for an obvious reason: if I'm in the middle of a storm shooting a stranger running under the rain, what should I do? I take the photo and then run behind him to ask permission? Who would consider me in a moment like that?
What does photography mean to you?
Photography is a breath of fresh air to me, it is and has been a lifeline in difficult periods of my life. All my memories of the last years are linked in some way with a photographic anecdote or a specific photo. Photography is the way I express myself, my photos are a mirror of my mood of the moment, they offer a key to understanding my feelings and thoughts.
Photography is also sharing and connecting with other people around the world.
Do you have a favorite time of day or weather condition?
I'm not a great fan of clear blue skies and sunny Summer days, on the contrary I love bad weather conditions: rainfalls, lightnings, seastorms, spectacular clouds...I think these kinds of conditions are by far the most interesting, a real goldmine in terms of photographic ideas. Anyway in street photography also the sun can be a good ally: I like to play with shadows and strong contrasts. Fog is another weather condition that I love, but very uncommon where I live now. It's that side of nature that more places the reality near to the dream: it reshapes ordinary things and well-known places, giving them a surreal touch. If I still lived in my hometown Piacenza, in the North of Italy, it would probably be one of my main subjects.
Do you have a specific location or city that you think offers the best opportunities for street photography?
At the moment the main set of my photos is the city of Pisa, where I live. It surely offers some nice spots for street photography (and not only). I like to shoot mainly in Lungarni, the roads running along the river Arno, that divides the city in two parts, Tramontana and Mezzogiorno. The old style street lamps and the beautiful palaces overlooking the river add some mood and are a perfect scenery to the shots. Another place that I love is Piazza dei Miracoli, with its surprising architectural wonders. It is always overcrowded with tourists, a bad thing for some kind of photos, but a perfect condition for street photography with all the potential subjects and situations you can find there.
Stepping out of my comfort zone, geographically speaking, other cities where I loved to shoot are Milano and Lisboa. Milano, where I took my degree, is a city with a charming contrast between its contemporary and financial side and on the other side a millenary history and ancient architectures. Lisboa, that I visited several times, has the unique charme of a seaside city, with its old 'ElĂŠtricos' running up and down the hills and the old peeling facades full of hanging clothes everywhere.
What are your thoughts on AI in photography?
I never used it, so my opinion is based on feelings only. I think that AI will be of huge help in certain photographic fields, where the use of retouching and composite images can be massive. I think mostly about photography for commercial uses, like advertising, food, fashion...
At the same time I'm a bit scared about the potential damage to other photographic genres, that should be candid, like street and wildlife photography. The wrong use of this technology could create distrust and let people think that every image is fake.
How has your photography style evolved since you first started?
When I started "getting serious" about photography, I focused myself on architectural and minimalist photography. At that time I worked in a printing center, near the faculty of Engineering, so clients were mostly engineering/architecture students and firms. This working experience deeply influenced my photography growth: having architectural projects in my hands and speaking with such type of clients every day contributed to my style of taking pictures.
Any tips for beginners?
The rest, 10 more questions, of this Interview are for Premium subscribers only.
Tamrons 90mm f/2.8 for Nikon Z and Sony E Cameras
Tamron is bringing out a new mirrorless version for Nikon Z and Sony E-mount cameras. The 90mm f/2.8 Di III Macro VXD (Model F072) will be available in October.
Tamron might be known for its zoom lenses now, but its 90mm macro line has been around since 1979, when they launched the SP 90mm F/2.5. Originally made for academic purposes, it became a hit for portrait and macro photographers alike. The lens even got the nickname âTamukyu,â and Tamron has kept improving on the design ever since.
The new version sticks to its roots but adds modern tech. It has 15 elements in 12 groups, including four special LD (Low Dispersion) elements to reduce chromatic and spherical aberrations. Tamron also added its BBAR-G2 coating to cut down on ghosting and flare. The lens is five inches long, weighs 22.2 ounces, and features a sliding window on the lens hood, so you can adjust filters without removing it â perfect for using ND filters.
As a macro lens, it offers 1:1 magnification and focuses as close as 9.1 inches. Tamron promises sharpness from edge to edge, which makes it great for detailed close-ups of things like artwork, documents, or even product packaging.
The 90mm f/2.8 also has a 12-bladed circular aperture (f/2.8 to f/16), designed to deliver smooth bokeh and reduce vignetting. Tamron says it offers top-notch resolution across the frame, paired with beautifully blurred backgrounds.
Available October 24, 2024, the 90mm f/2.8 Di III Macro VXD will cost $699 for both Nikon Z and Sony E-mount cameras.
Image Credits: Tamron
NiSiâs JetMag Pro Filters
NiSi just launched the JetMag Pro, a new magnetic filter system aimed at photographers and videographers who need versatile, high-quality filters for their work. The system includes a range of filters, all designed to be ultra-slim to minimize vignetting. Each filter is made with an aluminum frame and high-quality optical glass that promises sharp resolution and minimal color shifts, thanks to NiSiâs Nano-Coating Technology, which also helps reduce reflections and glare.
Like other magnetic systems, the JetMag Pro filters are color-coded for easy identification â blue for neutral density (ND) filters, yellow for black mist filters, etc. Currently, the system offers a variety of filters, including ND filters (with strengths ranging from one to 10 stops), UV/IR cut, UV, circular polarizing, and both black and white mist filters. Thereâs even a star point effect filter for those who like to get creative.
All the filters come in an 82mm size, but NiSi includes magnetic adapter rings, so you can use them on lenses with smaller diameters (from 62mm to 77mm). The system works by attaching a magnetic coupling ring to your lens, which stays on and lets you swap filters with a quick twist-lock â no need to mess around with traditional screw-on filters. And unlike some magnetic systems that rely on a weaker pull-off design, NiSi promises âunparalleledâ magnetic strength with a more secure twist.
The JetMag Pro lineup also comes with magnetic front caps to protect your filters and lens during transport, designed to handle rough environments.
Now, about the pricing: the filters start at $79.99 and go up to $119.99 each, which feels a bit steep, especially when some alternatives offer similar systems at lower prices. NiSi also offers kits like the $469 Filmmaker Kit, which includes ND and mist filters, caps, and a carrying case, or the $479 Landscape Kit with three ND filters and a circular polarizer. Some of the filters are already on backorder, with shipments expected in November, so if youâre interested, you might have to wait.
Image credits. NiSi
Photography Tip of the Week
The weekly photography tip is only accessible to Premium Subscribers of The Magazine For Photographers.
Photographer of the Week
Photographer of the week goes to: Patricia Anderson
Congratulations on your luck:)
A photo of hers:
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Express 1M2 Review: The USB4 SSD
Photographers and videographers know that fast storage can make a huge difference, and OWCâs Express 1M2 portable NVMe SSD, using USB4, is a solid option. While it's a bit larger than typical portable SSDs, it uses the space well, supporting M.2 NVMe SSDs up to the 2280 form factor. At about 1 inch thick and 5.2 inches long, with a removable 12-inch USB4 cable, itâs sturdy but still portable.
The all-aluminum enclosure handles heat well, with thermal pads and fins to dissipate heat under heavy use. It's bus-powered, so no external power supply is needed, and it's plug-and-play for both Windows and Mac. Mac users can also benefit from OWCâs MacDrive for cross-platform use.
Performance is where the 1M2 shines. When connected to a USB4 or Thunderbolt 4 port, it delivers speeds over 3,000 MB/s. It easily handled photo and video transfers in tests, even outperforming a MacBook Airâs internal drive. For older systems, it supports USB-C or Thunderbolt 3 at up to 990 MB/s, which is still more than enough for 4K video editing.
The DIY option lets you install your own SSD, or you can opt for pre-built models ranging from 1TB to 8TB. I like OWCâs open designâneed to replace the drive? Just unscrew a few Phillips screws. Lost the cable? Itâs a standard USB-C. No proprietary nonsense here.
With pricing for pre-built models between $128 and $160 per terabyte, going DIY with a Samsung or Western Digital drive could bring that cost down to $80 to $90 per terabyte. Itâs a great, high-performance solution for those with USB4 or Thunderbolt 4 systems, and itâs built to last.
Image Credits: OWC