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Helium Design Lab’s He11 Grip

credits: Helium Design Lab

Helium Design Lab is back with a new grip for the Leica M11, and it’s every bit as sleek and well-crafted as their previous ones. The He11 adds a front grip and a removable thumb rest without blocking the battery, SD card, or hot shoe. It’s made from CNC-machined aluminum, works with Leica’s Finger Loop, has a hidden AirTag compartment, and is Arca-Swiss mount compatible.

Unlike the Q3, the M11 uses interchangeable lenses, so balance changes depending on the setup. Helium fine-tuned the design to keep handling smooth no matter what lens you’re using. They also improved chamfering for a better feel and redesigned the strap anchor for Peak Design users.

The He11 is available now for $560, with a limited Silver Edition also up for grabs.

Tamron Patents A New Lens?

credits: Tamron

Tamron might be cooking up a big one—literally. A newly published patent hints at a 200-800mm f/6.7 ultra-telephoto zoom lens for mirrorless cameras, alongside a 200-600mm f/5.6 variant. If this lens becomes reality, it could be a game-changer for wildlife and sports photographers who need serious reach without the weight or cost of multiple primes.

The 200-800mm design would be around 16.3 inches long—big, but reasonable for an 800mm zoom. Tamron has a track record of making popular telephoto zooms, and this would compete with Canon’s RF 200-800mm. The big question? Optical quality and price. Given Tamron’s existing tele zooms cost around $1,300-$1,400, this one could push past $2,000 but still be far cheaper than prime alternatives.

For now, it’s just a patent, but Tamron has been working on this since at least 2018. Fingers crossed we see it hit the market soon!

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Weekly Photo Technique Exploration

Welcome to a new section of the magazine where every week we will explore a new photography technique from across various photography genres.

This week’s technique: Focus Stacking

Mateusz Salaciak

What Is Focus Stacking?

Focus stacking involves taking multiple photos at different focus points and blending them together in post-processing to create an image where everything is in focus—from the closest details to the farthest background.

Most cameras have a limit to how much they can keep in focus at once (especially at close distances), but by merging multiple focused shots, you can overcome depth-of-field limitations.

How to Shoot for Focus Stacking

1. Use a Tripod (Seriously, Don’t Skip This Step)

  • Even slight movements between shots can mess up the stacking process. A tripod keeps everything perfectly aligned.

  • If you’re shooting handheld, you’ll need software alignment later, but it won’t be as precise.

2. Switch to Manual Focus

  • Autofocus might shift unpredictably between shots.

  • Instead, focus manually and adjust the focus in small increments from front to back.

3. Use a Narrow Aperture (But Not Too Narrow)

  • f/8 to f/11 is usually ideal for sharpness.

  • Avoid f/22 or smaller, because diffraction can make the image soft.

4. Take a Series of Shots at Different Focus Points

  • Start by focusing on the closest part of your subject.

  • Take a shot, then slightly adjust focus deeper into the scene.

  • Repeat until you’ve covered everything you want sharp.

  • Some cameras (like certain Nikons, Canons, and Sonys) even have automated focus stacking modes!

5. Keep Exposure & Settings Consistent

  • Use manual mode so exposure doesn’t shift between shots.

  • Keep ISO low to avoid noise.

  • Maybe use a remote shutter or timer to avoid camera shake.

How to Merge Your Stacked Images

  1. Load all images as layers in Photoshop.

  2. Select all layers, go to Edit > Auto-Align Layers (to correct any small shifts).

  3. Then, go to Edit > Auto-Blend Layers and choose Stack Images.

  4. Photoshop will mask the sharpest areas from each shot and blend them into a final image.

Option 2: Dedicated Software (More Precision)

  • Helicon Focus and Zerene Stacker are pro-level tools specifically designed for focus stacking.

  • These offer finer control, better blending, and more advanced algorithms.

The Rest of this Issue is for Premium Subscribers

The Premium Version of this Magazine is now on a ‘‘Pay What you Want’’ model. Meaning you get to decide the price.