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The Latest News:

Canon Is Working on 3D Photo Technology

Canon is working on new 3D photo technology that makes creating 3D images easier than ever. Using its Dual Pixel CMOS sensors, Canon can capture depth information from a single shot—no special lens required.

At CP+, Canon showed how this tech could generate 3D models automatically, especially when paired with a turntable setup. It’s ideal for product photography, letting online sellers create interactive 3D images of items like clothes, bags, or home decor.

Unlike Canon’s pricey RF 5.2mm f/2.8 L Dual Fisheye lens, this system works with affordable lenses like the RF 50mm f/1.8. While it’s still in development, the positive reaction at CP+ suggests it could hit the market soon.

Sony Loves Competition

Sony changed the game when it launched the first full-frame mirrorless cameras back in 2013. Fast forward to today, and the market is packed with competition from Canon, Nikon, Panasonic, and more. But Sony says it’s not worried—it actually welcomes the challenge.

At CP+ in Japan, Sony’s Masaaki Oshima said they’re thriving thanks to three big advantages: their own image sensor division, a focus on total workflow solutions, and AI-powered technology that makes their autofocus and subject recognition top-tier.

Sony also isn’t fazed by third-party lens makers like Sigma and Tamron—in fact, they think more lenses for the E-mount system is a win for everyone. “It pushes us,” says Masanori Kishi, Sony’s senior lens executive. With nearly 80 native E-mount lenses and a growing ecosystem, Sony believes they still have the best system for creators.

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Weekly Photo Technique Exploration

Welcome to a new section of the magazine where every week we will explore a new photography technique from across various photography genres.

This week’s technique: Anamorphic Photography

What Is Anamorphic Photography?

Anamorphic photography comes from the world of filmmaking. Anamorphic lenses squeeze a wider field of view onto a sensor, which is later "unsqueezed" to give that stretched, cinematic look.

Instead of a standard widescreen crop, anamorphic lenses actually capture more in the frame without distortion. This means you get:

• Wider aspect ratios (like 2.35:1 or 2.39:1)

• Horizontal lens flares that look straight out of a sci-fi movie

• Oval-shaped bokeh instead of regular circular blur

• A more immersive, storytelling feel

How to Shoot Anamorphic Photos

1. Use an Anamorphic Lens (or Fake It in Post)

If you want true anamorphic photography, you’ll need an anamorphic lens (brands like Sirui, Moment, and Vazen make options for mirrorless cameras and smartphones). These lenses optically compress the image, and you later "de-squeeze" it in editing to restore the wide look.

But if you don’t have an anamorphic lens, you can fake the effect by:

• Cropping your image to a 2.39:1 aspect ratio in editing

• Adding horizontal lens flares in Photoshop or Lightroom

• Using an oval bokeh filter in post

2. Shoot Wide & Frame for the Cinematic Look

Anamorphic lenses capture wider compositions than regular lenses. When shooting anamorphic-style photos, think about cinematic storytelling:

• Use the extra width to include more context and depth in your scene.

• Place subjects off-center for that widescreen movie feel.

• Look for leading lines and natural framing to guide the eye.

3. Play with Light to Get Those Sci-Fi Lens Flares

One of the signature anamorphic effects is the horizontal blue or golden light streaks that cut across the image. You get these when bright lights (streetlights, the sun, headlights) hit the lens.

If you're faking it, you can add streaks in post with simple overlays or Photoshop tools.

4. Use Shallow Depth of Field for Oval Bokeh

Anamorphic lenses naturally create oval-shaped bokeh instead of the usual circular blur. This happens because of the way the lens squeezes the image. If you're shooting with a regular lens, you can simulate oval bokeh by:

• Using a lens adapter with an oval aperture

• Adding the effect in post-processing in Photoshop

Best Subjects for Anamorphic Photography

• Cinematic Portraits → Wide compositions with shallow depth of field look straight out of a film.

• Street Photography → The extra width lets you include more storytelling elements.

• Night Photography → Neon signs and streetlights make for killer lens flares.

• Landscapes & Urban Shots → The widescreen feel adds drama and scale.

• Car Photography → Classic Hollywood car chases use anamorphic lenses for a reason—it just looks cooler.

Why Try Anamorphic Photography?

• It instantly makes photos feel like movie stills.

• You get a unique look that regular lenses don’t offer.

• It adds depth, drama, and a storytelling element to your shots.

• You can experiment with real anamorphic lenses or create the look in post.

The Rest of this Issue is for Premium Subscribers

The Premium Version of this Magazine is now on a ‘‘Pay What you Want’’ model. Meaning you get to decide the price.