📸 The Magazine For Photographers - Bite Size
Read the Latest Photography News and Updates in the Creative Industry in about 3 minutes or less ;)
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Important Note: All photography articles are NOT sponsored
The Latest News:
Sirui Becomes Newest L-Mount Member
credits: Sirui/L-Mount
Sirui just became the ninth company to join the L-Mount Alliance, meaning more photo and video lenses for L-Mount cameras are on the way!
The L-Mount standard was originally created by Leica and later adopted by Sigma, Panasonic, and others, allowing cameras and lenses from different brands to work together seamlessly. Now, Sirui joins the mix, bringing its affordable, high-quality lenses into the ecosystem. Sirui already has some L-Mount-compatible lenses, but now it’s going all in. One of the first new lenses? The Aurora Series 85mm f/1.4 full-frame autofocus lens, which was previously available for Sony E, Fujifilm X, and Nikon Z.
With over 20 L-Mount cameras and 100+ lenses already available, Sirui’s addition means even more choices for photographers and filmmakers.
Sony Teases New Camera
credits: Sony
Sony just dropped a mysterious teaser video for a new camera, set to be revealed on March 26 at 10 AM EDT. The tagline? "Go small, shoot big."
The video doesn't show much, but we can see a Sony E-mount (so it’s an interchangeable lens camera) and what looks like a full-frame sensor. There's also a "5" button (suggesting at least five custom function buttons), a 3.5mm jack, and some kind of top attachment.
Speculation is all over the place. Some think it’s a Cinema Line camera like an FX3 II or a box camera, while others suggest a new Sony Venice Extension System. It looks heavily expandable and rig-friendly, so it could be built for video pros. Plenty of questions remain—global shutter? price? new series?—but we’ll know soon. Full reveal on March 26!
You can see Sony’s Video on YouTube here
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The 60 Seconds Review
Welcome to a new part of the Bite Size Magazine, the 60 seconds Review. Here I will review a piece of photography gear every week (so camera, lens, filter, tripod etc.) and write it together in a compact format which you will be able to read in 60 seconds or less.
This time in Review: The OM System OM-3
credits: OM System
The OM-3 brings vintage charm with modern performance, but at $2,000, it’s not exactly budget-friendly. Inspired by classic OM film cameras, it looks stunning and feels premium. It’s slightly smaller than the OM-1 II but not exactly compact, and its 486g weight gives it a solid, high-end feel. The flat design, however, isn’t the most comfortable with heavier lenses.
What Photographers Love
The OM-3’s retro styling and IP53 weather sealing make it a durable, stylish choice. The 20MP stacked CMOS sensor and fast autofocus deliver excellent performance, and the 120 fps electronic shutter is a bonus. The new color customization tools offer impressive control over contrast, saturation, and film grain, giving photographers more creative flexibility. A dedicated CP button makes accessing high-res multi-shot, Live ND, and focus stacking quick and easy.
Where It Falls Short
The 2.36M-dot EVF feels outdated for the price, and the mechanical shutter maxes out at six fps. It has only one SD card slot, which may be a dealbreaker for some. Video features are solid but flawed—the new Cinema profiles are stuck in lower-quality 8-bit mode, and the Log histogram issue remains unfixed, making exposure tricky.
How It Compares
At this price point, competition is stiff. The OM-1 II offers better performance for $400 more, while the Panasonic GH7 is the superior hybrid camera. Even the original OM-1, now available for less, could be a smarter buy for many. The OM-3 stands out in design and handling, but purely on specs, other options may make more sense.
Who Should Buy It?
The OM-3 is perfect for street and travel photography, offering a unique shooting experience in a beautifully designed body. But those needing better action performance should consider the OM-1 II, and serious videographers may prefer the Panasonic GH7. It’s not about having the best specs—it’s about loving the camera you shoot with. And for many, that’s enough.
The Rest of this Issue is for Premium Subscribers
