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The Latest News:
TTArtisan’s Portrait Prime Comes To X Mount
credits: TTArtisan
TTArtisan is giving Fujifilm shooters a new option with its AF 75mm f/2 portrait lens, now available for X-mount. The lens first launched last year for Sony E and Nikon Z, and later for L-mount, but this marks the first time Fuji users get their hands on it. On APS-C, that 75mm focal length comes out to about 112.5mm equivalent, which lands right in the classic portrait territory.
The lens itself is pretty compact and not too heavy, coming in at 326 grams and only 74mm long. It’s built from metal, has a dedicated aperture ring, and takes 62mm filters. Inside, you’ll find 10 elements in seven groups, including an extra-low dispersion element and four high-index elements. The nine-blade aperture is designed to give portraits smooth, rounded background blur. Autofocus is handled by a stepper motor, which should keep things quick and quiet, and it works with eye, animal, and vehicle detection on Fuji cameras. You can also get in as close as 0.75 meters for tighter portraits.
75mm isn’t a super common focal length, but it’s been popping up more often recently, and TTArtisan clearly sees it as a good fit for portrait work. The lens ships with a metal hood, and there is a USB-C port for firmware updates. Pricing for this new X Mount variant is at $199.
You can see full details and sample shots on TTArtisan’s website here
The DJI Competitor Got Unveiled
credits: Antigravity
Antigravity, a new drone brand started by Insta360 and other partners, has officially unveiled its first product, the Antigravity A1 Drone. Set to go head-to-head with DJI, the A1 stands out as the first drone capable of shooting 8K 360° video. Its dual-lens system, mounted above and below the body, can capture the entire scene without blind spots, and Insta360’s stitching tech ensures the drone itself disappears from the shot. At 249 grams, the A1 also stays under common weight limits, making it easier to fly in most regions without extra restrictions.
The drone comes with Vision goggles and a new Grip controller that ditches the usual twin-stick setup. Instead, pilots steer by moving the controller and looking around with the goggles, which track head movements. The result should be a more natural flying experience, with the drone going where you point while you explore the view in real time. The A1 also borrows features from Insta360’s cameras, like the ability to reframe footage in editing, switch angles after the fact, and add effects such as Tiny Planet or horizon flips.
Most of the specs are still under wraps, including exact flight speed, battery life, and detailed video recording options. Antigravity says pricing and bundle info will be announced closer to the official launch in January 2026. Until then, the company is running a co-creation program where selected testers can fly pre-production units, share feedback, and even compete for part of a $20,000 reward pool.
You can see full details and sample shots on Antigravity’s website here
Something Worth Checking Out
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Weekly Photo Technique Exploration
Welcome to a new section of the magazine where every week we will explore a new photography technique from across various photography genres.
This week’s technique: Selective Colour Photography
credits: Skylum
What is Selective Colour Photography?
It’s exactly what it sounds like, you take a photo and turn most of it black and white while keeping just one colour (or a small range of colours) untouched. It’s a great way to draw attention to your subject.
People use this trick a lot in:
Portraits → Keeping bright red lipstick or striking blue eyes in colour.
Street photography → Highlighting something bold (often a car or umbrella).
Nature shots → Making a flower or a single autumn leaf stand out.
Product photography → Focusing on a brand colour to make it pop.
How to Set Up Your Shot for Selective Colour
Technically, you can apply this effect to any photo in editing, but some images work better than others. Here’s how to get the best results from the start:
1. Pick a Strong, Standalone Colour
This works best when the colour you want to highlight is clearly separate from the rest of the scene. Bold reds, blues, and yellows are perfect. If the colour is scattered all over the image, it won’t stand out as much.
2. Keep It Simple
Too much clutter in the background can make selective color look messy. The best shots are clean and well-composed, with a clear subject that’s easy to isolate.
3. Think About Contrast
Colors pop more when they contrast with their surroundings. A bright green plant in a sea of gray? Perfect. A red car in a mostly warm-toned street? Not as effective.
How to Create the Selective Colour Effect in Editing
Most cameras don’t have a built-in selective colour mode, so you will need to do this in post-processing using Photoshop, Lightroom, or even phone apps like PicsArt or Snapseed.
Method 1: Quick & Easy Colour Selection
Convert your image to black and white.
Use a colour selection tool to bring back the colour you want.
Fine-tune saturation, contrast, and brightness to make it stand out.
Method 2: Layer Masking for More Control
Duplicate your image in Photoshop.
Turn the top layer black and white.
Use the eraser tool or a layer mask to reveal colour in just the areas you want.
Method 3: HSL Adjustments for a Subtle Look
Go to the HSL (Hue, Saturation, Luminance) panel in Lightroom or Photoshop.
Desaturate all colours except the one you want to keep.
Adjust contrast and exposure to make the effect more striking.
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